As always, our short film screening in November was a captivating celebration of local cinematic talent, showcasing a diverse range of narratives and storytelling techniques. Night and Day featured an eclectic lineup of short films, each offering a unique perspective on the human experience. ‘Pigeon People’ provided a humorous and insightful glimpse into the world of pigeon racing, while ‘The Love Project’ took audiences on an exploration of love across different demographics and community viewpoints. ‘Look’ mesmerized viewers with its experimental animated format, blending various techniques such as sand art, claymation, paper-cutouts, and hand-drawn animation. ‘Not Here, Not There’ presented a thought-provoking narrative, challenging perceptions of self and identity. “Naomi,” directed by Anton Pätsi, unfolds as Anton nervously invites Naomi on a date, prompting a comedic yet suspenseful tale where he second-guesses his message, leading to a mission to destroy all evidence.
In “Cod Story,” directed by Noa Roginski, the film serves as a case study delving into the Canadian cod fisheries collapse of 1992. This insightful exploration goes beyond historical events, investigating the future of natural resource management and offering valuable lessons from our past mistakes.
The screening not only highlighted the creative prowess of local filmmakers but also fostered a sense of community and appreciation for the diverse narratives emerging from the Toronto film scene.
The last short film screening of the year is happening tomorrow! Don’t miss out, see you there.
Eric Génier’s ‘Not Here, Not There’ presented a unique narrative, where a high-schooler sees themselves without a mirror, blurring the lines between body and screen.
Julia Hogg’s ‘Pigeon People’ delved into the eccentric world of pigeon racing, unraveling the intricacies of this niche sport.
Matthew Chiarelli’s ‘The Love Project’ explored love through various demographics and community perspectives, providing a poignant examination of this universal emotion.
Constant Yen’s ‘Look’ took the audience on a mesmerizing journey through experimental animation, weaving together vignettes created with sand, claymation, paper-cutouts, and hand-drawn animation.
